2020
Brooklyn Rail: Art Seen | Léonie Guyer and Rebeca Bollinger: Threshold | Hannah Maier-Katkin
Interface Marks its Final ‘Threshold’ with an Elegant Two-Person Show | Sarah Hotchkiss | KQED Arts
Charkotte Walentin and Nunzio De Martino | Daily Lazy | June 2020
At a Digital Distance, Débora Delmar’s Show Emphasizes Invisible Systems | Sarah Hotchkiss | KQED Arts | May 2020
Debora Delmar | Daily Lazy | May 2020
No Part Left Out | Contemporary Art Daily | April 2020
Stained Glass Evokes Life and Loss in Interface Gallery’s ‘Tissue’ | Sarah Hotchkiss | KQED Arts | January 2020
Cruel Intentions: Bri Williams| Harry Burke | Mousse Magazine

2019
Review: Quay Quinn Wolf, Pink Velvet Dress with the Fur Collar | Zoe Samudzi | September 2019
Quay Quinn Wolf, Pink Velvet Dress with the Fur Collar | Art Viewer | September 2019
Quay Quinn Wolf, Pink Velvet Dress with the Fur Collar } Tzvetnik | September 2019
Teresa Baker Exhibition Highlighted in KQED Fall Arts Guide | Sarah Hotchkiss | KQED Arts | August 2019
Dionne Lee Art Forum Critic’s Pick | Monica Westin | Art Forum | July 2019
Dionne Lee’s Watery Exhibition Fills Interface | Sarah Hotchkiss | KQED Arts | July 2019
The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged” } Emma Drew | Degree Critical | May 2019
Lauren McKeon, Let go or be dragged | Art Viewer | May 2019
Lauren McKeon, Let go or be dragged, Art News, Pictures at an Exhibition

2018
Jenine Marsh’s Train Pressed Coins Define the Value of the Small Gestures | Emma Drew | KQED Arts | November 2018
Jenine Marsh at Interface | Art Viewer | November 2018
Jenine Marsh at Interface | Tzvetnik | November 2018
Setting forth by signs | Art Viewer | October 2018
Bri WIlliams at Interface | Contemporary Art Daily | September 2018
Bri Williams at Interface | Contemporary Art Writing Daily | September 2018
Fall Arts Preview: Jenine Marsh and Claudia La Rocco | Sarah Hotchkiss | KQED Arts | August 2018
Bri Williams, Lying is the most fun | Art Viewer | September 2018
Pictures At An Exhibition, Bri Williams, Lying is the most fun | Art News
Bri WIlliams, Lying is the most fun | Tzvetnik | August 2018
Art Pick: Bri Williams, Lying is the most fun | Amyra Soriano | East Bay Express
A Pointed Finger Draws the Line | Tzvetnik | June 2018
A Pointed Finger Draws the Line | Pictures At An Exhibition | Art News | June 2018
The Best Abstract Artists You Should Know About | Architectural DIgest, Clever | Sydney Wasserman | May 2018
Sight Unseen: Saturday Selects | Jill Singer | May 2018

2017
What shapes our desires? Looking at the influence of manipulation in group Show Culture Industry | AQNB
Gender Inequality in Bay Area Art Galleries, By the Numbers | KQED Arts | Sarah Hotchkiss
At Mills College, Culture Industry Slyly Critiques Consumerism | KQED Arts | Roula Seikaly
Culture Industry, Exhibition Highlight by Rotunda Magazine | LINK
Divination of meaning in Nando Alvarez-Perez’s Portentology at Interface Gallery | AQNB
Nando Alvarez-Perez Arts and Culture Community Spotlight on VSCO } LINK
Culture Industry an SF/Arts Monthly Calendar Pick | Christian Frock
At Interface, Two Photographers Translate Light Into Solid Forms | KQED Arts | Roula Seikaly
Liv Aanrud and Sarah Thibault, Night Moves on Art Viewer - LINK
Liv Aanrud and Sarah Thibault, Night Moves on AQNB - LINK
Ehling/Bennett Instagram Highlight by Roberta Smith, New York Times
30 Artists and Galleries We Loved During New York Art Week | Sight Unseen | Jill Singer
Anxiety and the art fairs, NADA Edition | Two Coats of Paint | Sharon Butler
Lauren McKeon Upends Modern Don'ts at Interface Gallery | KQED ARTS | Sarah Hotchkiss
Preview, Untitled, San Francisco | Elephant Magazine | Emily Steer

2016
Quiet Riot Review | Engineer's Daughter | Heidi J. De Vries
Art Practical Pick | Lana Williams: Quiet Riot | November 2016
East Bay Express Event Pick - Art and Craft Beer Fest and Lana Williams Quiet Riot | Seung Le
SF/ARTS Monthly Pick - Carolyn Jean Martin: At Five in the afternoon | Christian Frock
East Bay Express Pick - John Zane Zappas: Mind Lines | Easy Bay Express | Anna Nolan
Solos Not to Miss (Lana Williams Quiet Riot)  | East Bay Express, Fall Arts Preview | Sarah Burke
Event Pick: My Story is My Flag | Easy Bay Express
KGPC Interviews: My Story is MY Flag | by Katherine Rae Mondo
Flag as Art and Identity at Oakland International High School | East Bay Express | Sarah Elizabeth Adler
Oakland International Flags Diversity | Ripple | Katherine Rae Mondo
East Bay Express Pick - Kelly Inouye: Good Times | East Bay Express | Sarah Burke
Review, Endless and the Depth of Things: Renee Rhodes and Lauren McKeon | Curiously Direct | Aaron Harbor | March 2016
Review as Pictures, Manners: Making Plain | Glossary Magazine | Leora Lutz | March 2016
Manners Performs Utopic ‘Bodily Engagements’ at Interface Gallery | KQED Arts | Emily Holmes | February 2016
Artful Dodger: Visual Art Happenings in February | KQED Arts | Sarah Hotchkiss | February 2016
'Bodily Engagements' is a Dialectic Between Dancers and Sculptors | East Bay Express | Sarah Burke

2015
Five Visual Arts Happenings This Month | KQED Arts | Sarah Hotchkiss | November 2015
Review: Ghost in the Hay: Kim Bennett, Maysha Mohamedi, Laurie Reid, Elizabeth Russel | Curiously Direct | Aaron Harbour
North America's Must See Exhibitions This Fall | Art Slant |  Leora Lutz
Fall Preview: Curiously Direct (Wherein Interface's Fall programming is described as an "embarrassment of riches" | Aaron Harbour and Jackie Im
Review: gesture/fragment/trace: Rebeca Bollinger, Dana Hemenway and Sean Tully | Art Practical | Anton Stuebner
Review: gesture/fragment/trace: Rebeca Bollinger, Dana Hemenway and Sean Tully | Curiously Direct | Aaron Harbour
Poetic Gestures and Beyond: This Season in Dance | East Bay Express | Sarah Burke
Bay Area Painting Right Now: Lana Williams Breaks the Rules | KQED Arts | Brandon Brown
East Bay Express Pick - Lana Williams: no uniform | East Bay Express | Sarah Burke
The Work of Art: Interface Gallery director Suzanne L'Heureux engages the community in a discussion of art and labor through a crowdfunding campaign that is designed to pay her artists | East Bay Express | Sarah Burke
Review - C. Ursula Cipa: Beyond which the sun can do no more | Curiously Direct | Aaron Harbour
Review - marksearch: Powercall | Curiously Direct | Aaron Harbour
DIY Gallery: Make Things Happen @ Interface Gallery | SF Weekly | Silke Tudor
Curiously Direct Review - Carrie Hott: After-Hour | Curiously Direct | Aaron Harbour
East Bay Express Pick - Carrie Hott: After Hour | East Bay Express | Sarah Burke
SFAQ Pick - Carrie Hott: After-Hour | SFAQ

2014

Where the Wild Things Are: The art collective Shipping+Receiving presents an interactive show on the wildlife in our cities. | East Bay Express | AJ Kiyoizumi
Art Practical Pick - Bonanza VI: Eighteencharacters | Art Practical
East Bay Express Pick - Bonanza VI: Eighteencharacters| East Bay Express | Sarah Burke
SFAQ Pick - Bonanza VI: Eighteencharacters | SFAQ
East Bay Express Pick - Tamra Seal: Irresistible Forces | East Bay Express | Sarah Burke
SFAQ Pick - Tamra Seal: Irresistible Forces | SFAQ
SF Arts Monthly Pick - Producing Space: New Works by Aaron Finnis, Cybele Lyle, Amy M. Ho, and Emma Spertus | SF/Arts | Christian L. Frock

2013
SFAQ Pick: Kelly Inouye, The Company You Keep | SFAQ
Just Make Something, Group Show, Interface Gallery | San Francisco Arts Quarterly | Leora Lutz
Tressa Pack: Wanderers in a Sea of Fog | East Bay Express "Pick of the Week" | Alex Bigman
Alicia Escott's Dystopian Vision | The San Francisco Chronicle | Kimberly Chun

2012
A Second Life for Food | East Bay Express | Azeen Ghorayshi
Shadows and Dreams | East Bay Express | Fall Arts Guide | Alex Bigman
Points of Interaction | East Bay Express Article | Alex Bigman